Ferdinand Hérold (1791-1833)

The writings of Ferdinand Hérold are divided into principal sources: his correspondence written between 1804 and 1833, of which the seventy-two letters to his mother compose the largest ensemble known at present; and a diary kept from the end of 1814 to 1826. To these documents can be added a few reports destined to the administrators of the Théâtre-Italien and the Opéra de Paris, as well as a short piece, Cahier rempli de sottises plus ou moins grandes, rassemblées en forme de principes par moi, a set of ideas, rules and prescriptive principles for operatic composition written in Vienna in 1815.

No volume offers a complete collection of this corpus. Several publications by Benoît Jouvin (1868), Arthur Pougin (1906), Julien Tiersot (1924), and France-Yvonne Bril (2012), among others, offer broad offerviews. Two recent collections published by the musicologists Hervé Audéon in 2008 and Alexandre Dratwicki in 2009 contain similar selections of texts: large excerpts of the composer’s correspondence and diary dating to the period of his two stays in Italy between 1812 and 1815 and in 1821, accompanied by editorial commentary. In the twenty pages of introduction for his volume, Hervé Audéon offers a precise description of the sources and brings up the problem of the sale of Hérold family archives in 1991, which were only partly acquired by the Bibliothèque nationale de France, the remainder of which is inaccessible to researchers. It is therefore no longer possible to consult Hérold’s diary, a precious document for which there exists no complete edition. Entire swathes of the composer’s correspondence were also missing from the state purchase.

... read more 
firstnameFerdinand
lastnameHérold
birth year1791
death year1833
same ashttp://data.bnf.fr/13895164/ferdinand_herold/

Publications (2)